New world news from Time: How China Supports the Slow Strangulation of Myanmar’s Kachin Minority

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The writer unleashed her gift for black comedy to excoriate British attitudes to property and possessions in this sprightly drama Caryl Churchill is rightly admired for many qualities : her formal inventiveness, her questing intelligence, her dystopian vision of everything from cloning to climate catastrophe. But she has one gift that is rarely discussed: her wild humour. It is there in the sudden eruption of a 10-foot bird into the family brouhaha in Blue Heart (1997) and in the backyard banter in the more recent Escaped Alone (2016). It is also vividly present in one of her earliest stage plays, Owners. Given that the piece had a brief run at the Royal Court Theatre Upstairs in 1972 and, as far as I know, only one revival, it is one of Churchill’s least-known works yet cries out to be rediscovered. On the surface, it sounds bleak. It is about the urge for ownership and shows Marion, a rampant property developer, eating up everything around her: she’s not only prepared to turf two...
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