As the orchestra prepares to welcome back live audiences, the conductor urges ministers to act on new touring rules in Europe Sir Simon Rattle and his top team at the London Symphony Orchestra have appealed for government support to help them survive the difficulties created by Brexit and Covid. The orchestra depended on international touring – much of it in Europe – for 40% of its revenue before the coronavirus, with tours cancelled by the pandemic . Continue reading... from The Guardian https://ift.tt/3tQnObB
Documentary photographer Kirsty Mackay examines the causes of the ‘Glasgow Effect’ in a highly personal project. She looks at Glasgow’s excess mortality in comparison to the UK average and shifts the focus from the individual to government policy. The Fish That Never Swam will be published as a book later this year. In Glasgow people’s lives are cut short: male life expectancy in Possil is 66, in Penilee three young people took their own lives within the space of one week this June, suicide in Glasgow is 30% higher than in English cities, male life expectancy is seven years short of the UK average and women’s is four years less. This is not isolated to areas of deprivation – Glaswegians across all social classes experience a 15% reduction in life expectancy. We have known about the “Glasgow Effect” for more than a decade. However, the root causes for Glasgow’s excess mortality are not in the public domain. The explanation lies in government policy – not with the individual and t...
The author of the hit YA fantasy talks about Netflix stardom, making her novels more diverse and why she had to give up a close relationship with her fans When Leigh Bardugo first came face to face with her characters, she wept. In a video that was uploaded everywhere from YouTube to TikTok, the author stepped on to the Budapest set of Netflix’s Shadow and Bone and embraced her heroine, Alina – or rather, the actor Jessie Mei Li in costume. “You guys look amazing,” Bardugo repeats in the video, between hugs and tears. “You look so incredible. It’s actually eerie.” “Adaptation is scary,” Bardugo says now. “I don’t begrudge any author the right to say that they don’t want to do it, because we’ve all seen it go wrong. It would be heartbreaking to be locked out of the house that you built. But I got lucky, because the people I collaborated with cared deeply – not just about the material, but the people who love it.” Continue reading... from The Guardian https://ift.tt/2RZamVw
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